The Toi Two Hundy is back for its 3rd year, showcasing great art at an affordable price.

Kirsty Lillico presents an installation of large fabric banners, based on Google Earth views of the Canterbury Plains (Kā Pākihi whakatekateka a Waitaha) and the Mackenzie Basin (Te Manahuna).

This new body of work from Gina Matchitt discusses issues of disparity and inequality, namely, Pakeha privilege and Māori disadvantage in New Zealand society.

This group of dynamic emerging Wellington based artists question how we consider intimacy, relationships, gender and sexuality, and how we become possible and known to each other, and to ourselves.

Informed by research into neuroscience, artists Astrid Visser and Alexia George delve into the workings of the mind through the creation of sculptural and wearable forms alongside moving image.

Isabella Loudon’s hand-formed concrete and fabric sculptures perceive vulnerability at the edge of collapse. I do not want to be a fool humours the risks the artist takes to push the material to its limits.

A collection of works from leading Māori and Pacific artists inhabit Toi Pōneke Gallery alongside a virtual showcase of Taonga from The Museum of New Zealand Te Papa Tongarewa.

In Dirty Edges / Clean Lines, line ventures out into the white expanse, feeling its way around the paper. 

Form and space are subtly manipulated in Between Moods. Artists Tyler Jackson, Josephine Jelicich and Lauren Redican create minimal sculptures and wall works that gently nudge viewers towards a more intimate relationship with their surroundings.

Alice Alva presents Over/Under, an exhibition investigating the physical connections between traditions of textile and pattern making, domestic crafts, ornamentation and decoration.

Environmental sound composer Thomas Voyce brings an 8-channel (octophonic) speaker system to Toi Pōneke Gallery for an immersive surround sound listening experience.