Toi Pōneke is calling for applications for our 2020 Visual Arts Residency

Toi Pōneke’s Annual Resident’s show is back! All works $300 or less. Cash and Carry.

An exhibition of new video works by Toi Pōneke’s 2019 Artist in Residence Chevron Hassett. Home is where my heart will rest connects back to the people and places - the essence - of his childhood.

Drawing from collected found moments reflecting ways in which urban environments are constructed, Storm water Solutions combines installations by Teresa Collins and Bena Jackson weaving amusement and sentimentality.

Marilyn Jones’ exhibition Linear Impositions occupies and interrupts the gallery with a series of new works that investigate relationships between space and form.

On his 50th birthday, artist Bryce Galloway got his first tattoo and posted a bandmates wanted flyer. four songs, played twice revisits this mid-life crisis story and the nine bands Galloway started that year. 

Haukāinga, True people/Home is a curated exhibition drawn from the Wellington City Council’s City Art Collection.

EOmma is a series of sculptural works by Emerita Baik exploring an emotive response of people living with a language barrier. 

Toi Pōneke Arts Centre is proud to announce Chevron Hassett as the 2019 Visual Artist in Residence.

Rauropi [ I II III ] is an installation by Jason Wright, made up of a series of object integrated sound sculptures.

Ghosts, floating is an autobiographical exhibition of paintings, poems and small sculptures by Wellington artist Briana Jamieson that form abstract and personal shrines to people and experiences.

Rebecca Hasselman’s solo exhibition, Suspended Terrain, explores ways that a thoughtful connection to the land can be articulated through paint.

The Modern Alpha is a series of hyper-detailed illustrative works by Wellington artist Hannah Salmon, satirising dominant political and ideological systems that promote oppression, competition and financial gain.

Composer and performer Cory Champion works with the recording and amplification of cymbals, drums and drum machines to create fluid soundscapes, exploiting blurred textures between acoustic and synthesised sources. These percussion instruments are also amplified in the gallery space as sculptural works able to be played, continually modulating Champion’s immersive, harmonic soundscapes.